The Film Machine. Mechanical Metaphors in Avant-Garde Film
The Film Machine. Mechanical Metaphors in Avant-Garde Film is a series of avant-garde films from the 1920s and 1930s relating to the impact of machines on the modern world and society, from the first European abstract and futurist experiments to Soviet propaganda films and American comedies, passing through pioneering science fiction films. The aim of this combination of narrative and experimental genres is to illustrate how the world of the machine inspired both the industry and avant-garde artists. The fascination first appeared in pioneering films by the Lumière brothers, Georges Méliès (Paris, 1861-1938), Segundo de Chomón (Teruel 1871- Paris 1929) and other anonymous artists, whose work introduces this series.