Film and Video

This round-table discussion features the participation of Ballet Djédje, Demetrio Gómez, Elena Prous, Tatiana Romero Reina and Iki Yos Piña, the voices of different agents hit hard by the logics of hate and fear and who refuse to assume the role of victim that pushes them aside and threatens to absorb the energy and capacity to evolve and build other ways of relating. 

In this multimedia stage piece, straddling monologue, confession and the activation of body and music, artist Frau Diamanda looks to explore the mutation of transvestite identity, punctuated by questions of class and race and affected by (neo)colonisation and hyperbolic exaltation.

This latest edition includes a conversation on the experience of Archivo Arkhé in recovering the historical memory of LGBT prior to 1969 and a visit to its new premises in Madrid. Founded in 2016 in Bogotá by Halim Badawi and Pedro Felipe Inestrosa, the space compiles publications and documents related chiefly to Latin American art and queer subject matter.

This fresh edition of the LGBTIAQ+ programme looks to explore the possibility of imaginatively and politically turning around the logics of hate and fear that run through us, socially raising questions around who personifies a non-normative sex-gender or body position.

El Hierro is not any volcanic island. For centuries, it was considered prime meridian before being replaced by Greenwich Mean Time at the International Meridian Conference in 1884. This occurred after the United Kingdom had standardised the measurement of time for the rest of the planet in 1840 via the Great Western Railway company. El Hierro, sitting halfway between Africa, Europe and South America, is a metaphor for music that circumvents Western media’s powerful grid, which rules the taste, presence and even fees of musicians from the experimental scene. El Hierro will once again be the centre of the world.

In her recent publications, art historian and curator Antonia Majaca has focused her research on the relations between the development of algorithmic computing regimes and their potential to build subjectivity. This lecture sees Majaca analyse the historical construction of optical regimes found at the root of Western cosmologies in studies on how the history of Western geology has been shaped, considering that such regimes of the gaze are found at the base of contemporary computational paradigms.

Museo Situado organises, in collaboration with the Museo Reina Sofía’s Conservation and Restoration and Artwork Registration Departments, a new edition of the Course on Handling, Packing, Transporting and Installing Cultural Heritage Artefacts. The aim is to give people with migrant life stories from Madrid’s Lavapiés neighbourhood some insight into how artworks are handled and exhibitions are installed.

In its fifth edition, the Neighbourhood Picnic transforms, once again, the Museo Reina Sofía, turning it into a space of encounter, enjoyment and resistance for all residents of Madrid’s Lavapiés neighbourhood.

Open Chair is a project which stems from a collaboration between Museo Reina Sofía and the Bachelor’s Degree in Art at Universitat Oberta de Catalunya (UOC) and aims to annually organise an in-person encounter to intersect and place in dialogue university with museum.

In this lecture, Equatoguinean writer, intellectual and historian Donato Ndongo-Bidyogo traces a literary journey on the history of Equatorial Guinea, from the era of Spanish colonisation to its independence and subsequent evolution towards an authoritarian regime and its experience of diaspora.

This edition of Documents surveys the lesser-examined side of Pablo Picasso: as a poet. The visual, sound and performance quality of his poetry is deepened in the dialogue between text, sound and image, elements that form the backbone of the activity, structured around a performance recital of a selection of poems — with a new Spanish translation by Jèssica Jaques Pi — followed by a conversation between Androula Michael, an editor and expert in Picasso’s literary work, and members of the gynocentric collective from the Picasso PhD at the Universitat Autònoma de Barcelona.

The Indonesian art collective Taring Padi organises the workshop Activating Resistance with wayang kardus with a view to sharing one of its most distinctive artistic and political unrest techniques: the creation of wayang kardus, recycled cardboard puppets inspired by the rod and shadow puppets characteristic of traditional Indonesian theatre.

Italian artists Yervant Gianikian (Merano, 1942) and Angela Ricci Lucchi (Rome, 1942–2018) are both pivotal figures in avant-garde cinema, their work centred on films and filmic, compilation-based installations which explore the twentieth-century’s major wars and the ideologies that occasion them. This programme is a retrospective with the catastrophe of war as its fulcrum and includes the international premiere of the artists’ last film Frente a Guernica (In Front of Guernica, 2023).

Joseph Morder (Trinidad and Tobago, 1949) is a film-maker and diarist whose Super-8 films are a monument to experimentation and film as a way of life. This programme, comprising three, single-screening sessions, unveils three of his films on the city of Madrid and its people, neighbourhoods, history and lives: Niños, niñas (Malasaña) (Boys, Girls [Malasaña], 1978), L’Été madrilène (The Madrid Summer, 1978) and La Gran Vía de Rita Jones (The Gran Vía of Rita Jones, 1996). The film-maker will be in attendance at all three screenings.