By virtue of the renewed conceptions of art which developed in the 1960s and 1970s, museums were forced to renovate their way of presenting art works, and also their idea of what art publications could be. In this context, Johannes Cladders, director of the Städtisches Museum Abteiberg Mönchengladbach (Germany) at the time, developed an exceptional publishing project: a series of “Kassettenkataloge”, or catalogue-boxes, which managed to attract the attention of the international art world.
This exhibition, curated by Guy Schraenen, is devoted to the outstanding originality of this series of grey cardboard boxes, with which Johannes Cladders provided an unconventional and pertinent overview of the international vanguard art of the period, including seminal movements such as Conceptual Art, Fluxus, Arte Povera, Pop Art, etc. Made between 1967 and 1978 in limited and numbered editions, these boxes are unique in their conception. Their design was entire responsibility of each of the invited artists, and results of their complicity with the museum. All of them have similar sizes (ca. 21 x 17 x 3 cm), but each one is different in content and form. Some of them include posters, booklets, documentation and texts, while others comprise multiples: for example, the plastic rose by Jasper Johns, a series of four boxes by Marcel Broodthaers, a ca. 15 meter long parcel string by Panamarenko, and a huge, black, crumpled silk paper with gold print by James Lee Byars, enclosed in a golden box. Further boxes include original pieces such as the felt piece cut by Joseph Beuys, and the hand-painted inside of the box by Gerhard Richter.
These few examples give an overview of the richness of this collection of 33 different pieces (the 34th box, by stanley brouwn, exists only as a concept), which nowadays are considered rarities, and occupy a prominent place in international collections, among them the Library and Documentation Center of the Museum Reina Sofía.
Joseph Beuys, 1967 - Erwin Heerich, 1967 - Beleg, 1968 - Bernd y Hilla Becher, 1968 -Carl Andre, 1968 - Hanne Darboven, 1969 - George Brecht / Robert Filliou, 1969 - Panamarenko, 1969 - Piero Manzoni, 1969 - Hans Hollein, 1970 - stanley brouwn (en su realización conceptual), 1970 - Richard Long, 1970 - Daniel Buren, 1971 - Jasper Johns, 1971 - Marcel Broodthaers, 1971 - Reiner Ruthenbeck, 1972 - Jan Schoonhoven, 1972 - Beleg II (Heinz Mack, Palermo, Ulrich Rückriem), 1972 - Rationale Spekulationen, 1972 - Palermo, 1973 - Programm Zufall System (François Morellet), 1973 - Ulrich Rückriem, 1973 - Lawrence Weiner, 1973 - Archiv J & J (Jacques Caumont / Jennifer Gough-Cooper), 1974 - Gerhard Richter, 1974 - Braco Dimitrijevic, 1975 - Joel Fisher, 1975 - Daniel Buren, 1975 - Jonas Hafner, 1976 - Räume, Beleg III (Carl Andre, Marcel Broodthaers, Daniel Buren, Hans Hollein, Bruce Nauman, Gerhard Richter, Ulrich Rückriem), 1976 - Giulio Paolini, 1977 - James Lee Byars, 1977 - Georg Ettl, 1977 - Jannis Kounellis, 1978
17 October, 2019 – 1 March, 2020
The Keys to the Kingdom
11 October, 2019 - 29 March, 2020
Time Is Mute
25 September, 2019 - 23 March, 2020
Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s
24 July, 2019 - 2 March, 2020
26 June - 21 October, 2019
5 December, 2018 - 25 November, 2019
The Poetics of Democracy
Images and Counter-Images from the Spanish Transition
June 7, 2019 – February 7, 2020
Recreational and political resistances in Madrid during the 90'sMuestras documentales, Biblioteca y Centro de Documentación