This presentation of holdings from the Museo Reina Sofía Collection, largely made up of recent acquisitions, approaches the languages and artistic practices that defined the period between the end of the 1990s and 2007 – both in Spain and internationally - by way of a series of shared questions that heralded the start of the century and run up to the present time.
The way in which artists tackled the effects of globalisation and new geopolitical configurations marks the starting point of this exhibition via works by Zoe Leonard and Allan Sekula. Another line of research is concerned with the examination of languages of modernity and their ties to colonial processes; therefore, works by Leonor Antunes, Ines Doujak and Adrià Julià appropriate images and historical accounts in order to carry out a critical reading of them. Moreover, the Nation-State crisis and theatrical strategies throughout history are put forward in this show in the form of “political fictions” through artists such as Ibon Aranberri and Peter Friedl. In a closer setting, there are also case studies related to processes of transformation in the industrial outskirts of Barcelona and gentrification in cities such as Madrid, present in projects by María Ruido, Patrick Faigenbaum and Manolo Laguillo, among others.
Furthermore, the exhibition will be accompanied by a publication featuring specific essays and texts which have been pivotal in approaching and exploring this point in history.
20 February – 27 May, 2019
The Avant-garde Networks of Amauta:
Argentina, Mexico, and Peru in the 1920s
6 February – 6 May 2019
H. C. Westermann
5 December, 2018 - 25 November, 2019
The Poetics of Democracy
Images and Counter-Images from the Spanish Transition
21 November 2018 – 22 April 2019
Lost, Loose and Loved: Foreign Artists in Paris 1944-1968
16 November 2018 – 4 March 2019
31 October 2018 – 29 April 2019
Of Lunatics, or Those Lacking Sanity
17 October 2018 – 4 March 2019
Hospice of Failed Utopias
9 October 2018 – 10 March 2019
Guilt and Debts
From November 22, 2017
Cubism(s) and Experiences of Modernity