In this interview, Dora García (Valladolid, Spain, 1965) draws from different works in the Museo Reina Sofía Collection to reflect on her work from its starting point, with themes such as narrative, infinite writing, performance and psychoanalysis shaping a coherent and continuous world. The artist analyses her use of the book as an object and repository of stories, and, by way of literary and psychoanalytical references, from James Joyce and Freud to Lacan, she discusses the transformation of reading and text production into collective actions. Similarly, she explores the key strands running through debates on performance: how to document and transmit it and questioning the classical idea of impossibility associated with its repetition, present in her approach to the works and writings of Allan Kaprow and Óscar Masotta. She also focuses on the damned artist, the notion of the anti-hero and the inappropriate to define a way of approaching reality through fiction.
The period from the 1960s to the 1980s, the years that the new rooms in the Collection explore, is when the political, social, cultural and technological changes that would give shape to the contemporary global situation took place: decolonization, the uprisings of '68, feminist movements, the economic crisis, the expansion of popular culture and the emergence of other peripheral modernisms.