New Exhibition Programme

Pablo Picasso, L'Enfant aux colombes, 1943. © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau © Succession Pablo Picasso, VEGAP, Madrid, 2018

Pablo Picasso, L'Enfant aux colombes, 1943. © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau © Succession Pablo Picasso, VEGAP, Madrid, 2018

This coming autumn, the Museo Reina Sofía presents a new series of exhibitions, at the centre of which is Paris without Regret. Foreign Artists 1944–1968, a broad collective show exploring the contribution of foreign artists who worked in Paris after the Second World War, and featuring works by Picasso, Kandinsky, Ellsworth Kelly, Palazuelo, Tinguely, Tamayo, Carmen Herrera, and numerous other artists.

Furthermore, the exhibition The Poetics of Democracy: Images and Counter Images from the Transitionwill be held to mark the 40th anniversary of Spain’s 1978 Constitution.

The upcoming programme also includes shows by Italian photographer Luigi Ghirri, American surrealist Dorothea Tanning, German artist Dierk Schmidt, Latin American conceptualist Luis Camnitzer, and Spanish sculptor Jaume Plensa.

 

Lecture and Workshop. Trebor Scholz and Tiziana Terranova. Overexploited and Underpaid

Greenpeace Switzerland. iSlave. Illustration, 2011

Greenpeace Switzerland. iSlave. Illustration, 2011

In the fourth session of the seminar Six Contradictions and the End of the Present, Trebor Scholz and Tiziana Terranova will explore the radical transformation of labour in the digital economies. Though the Internet was initially considered a public space based on the free interaction among equals, it is now conceived as a huge factory without walls where any aspect of the day-to-day life can be valorised, produced and commoditised. Is there any alternative to this scenario? Answering to the question, Trebor Scholz advocates for a “platform cooperativism” – as opposed to “platform capitalism” – that helps create a more just and equitable network. For her part, Tiziana Terranova argues for democratic re-appropriation of the Internet that entails a different way of governance.

The session will include a public lecture and a debate workshop led by both theorists.

Dates: 12 and 13 September 2018
Hour: 7pm and 11am (check programme)
Location: Sabatini Building, Auditorium and Nouvel Building, Study Centre
Organized by: Museo Reina Sofía
Language: English, with simultaneous interpretation
Admission: Free, until full capacity is reached
Workshop capacity: 50 places. Free, with prior registration at programasculturales2@museoreinasofia.es,indicating your reasons for participating. Confirmation required
Lectures capacity: 144 places (registration not required)
Activity included in the programme: Six Contradictions and the End of the Present

 

Concert series. Archipelago 2018

Ammar 808, 2018

Ammar 808, 2018

In its second edition, Archipelago asserts its approach to listening as a form of both knowledge and aesthetic pleasure. Attendants are encouraged to approach the complexities of the cotemporary world not only through the ear, but also through the body, by absorbing sound with all their organs and bones.

This year the number of participant artists grows and the venues diversify: shows will be held at the Garden of Sabatini Building, the the Vaults Gallery and the Auditorium, as well as in the Real Conservatorio Superior de Música de Madrid, located next to the Museo.

Participants: Janneke van der Putten, Agnès Pe, Hashigakari, Tutu, Clara de Asís, Cedrick Fermont, Toukadime, Sofyann Ben Youssef (Ammar 808), Áine O’Dwyer, Tarawangsawelas + Rabih Beaini, Nadah El Shazly, Errorsmith and Dj Lag.

Dates: 21 and 22 September, 2018
Hour: (check programme)
Location: Sabatini Building, Vaults Gallery, Garden and Auditorium, and Real Conservatorio Superior de Música de Madrid, Manuel de Falla Auditorium
Organized by: Museo Reina Sofía
Curatorship: Rubén Coll and José Luis Espejo
Sponsor: Estrella Damm
Admission: Free, until full capacity is reached

 

RRS. Radio del Museo Reina Sofía. Big Data, privatization and inequality. An interview with Evgeny Morozov

The meteoric rise of digital giants worldwide has posed a raft of unsettling questions on the concentration of political, economic and social power in the hands of tech brokers. After relatively innocuous beginnings in the fields of advertising and online shopping, technology companies have expanded the range of their operations to offer an ever-growing array of services, many maintained by powerful artificial intelligence tools that feed off our data, hailing from areas as divergent as cybersecurity and health care.

Museo Nacional Centro de Arte Reina Sof�a

Museo Nacional
Centro de Arte Reina Sofía

T (+34) 917 741 000
web@museoreinasofia.es
www.museoreinasofia.es
NIPO: 036-13-031-0

Facebook Facebook Twitter Twitter Instagram Instagram Vimeo Vimeo Youtube Youtube RSS RSS